THE BANNEN WAY

THE BANNEN WAY is a sexy crime series with elements of action, comedy and a bit of thriller thrown in for good measure. Most importantly the series has fun with itself, as it chronicles Neal Bannen (Mark Gantt), a con man attempting reform. He guides himself with a series of rules--“The Bannen Way”--which are weaved throughout the story when they apply to the often tumultuous situations he finds himself in. Neal is caught in a bit of a conundrum with a father who is a cop and an uncle who holds onto his grandfather’s mob legacy both pulling him in different paths. Neal is confident and always looks for the angle; the trick is to see him navigate an ever-increasingly complicated landscape where options disappear as quickly as they appear. The cast is amazing with Michael Ironside as the father and Robert Forrester as the uncle, and let’s not forget Vanessa Marcil as the sexy pickpocket with suspect motivations. Neal is set on a mission to procure an object that will clear his debts and allow him a way out of the life he leads.

My hat is off to Mark Gantt and Jesse Warren for creating something interesting and fun to watch. Like most people, I like to be surprised and I found this be well-written without the obvious “I saw that coming a mile away” moments that hamper so may stories today. Not surprisingly with something based on a con man seeking reform or more importantly a way out of the life, this series was full of twists and turns. I got a bit of a Guy Richie vibe with the rules he lives by and the way the story unfolds without all of the spastic editing that sends parts of the population into epileptic fits. The series was smart and very sexy, as Neal Bannen is a bit of a ladies’ man. Seeing what content creators can do with a bit of money always makes me wonder how Hollywood produces so much crap when this kind of talent is available.

The writing in the series was tight, as any good web content has to have; otherwise we’re bound to click on onto the next thing. The plot entwines the different pieces of Neal’s life nicely as the pressure is amplified episode to episode, making it ideal for the web. The cast ismarvelous and I found it a real treat to see actors I liked so much turn up in such good roles. The whole series is a real gem and I encourage anyone who likes this genre to tune in.

On The Comedy Rich Web, An Elite Group Of Dramas Break Through, These Are Their Stories

The creators of web series "Anyone But Me," "The Bannen Way," and "Robert Townsend's Diary of a Single Mom"--and the web sites that host them--talk about the challenges facing online shows that aren't all about laughs LOLCats.

Dina Kaplan, a co-founder of blip.tv, says she thinks it may take one to two years for drama to really make a splash online. She offered her perspective on four keys to making online drama click.

1. Economics

Unlike television, it’s hard to promise or predict the amount of eyeballs necessary to recoup production costs from shooting a drama. “It's been harder for scripted dramas to succeed because their costs are higher making the margins for profit slimmer,” Kaplan says. “The successful series are riding the margins. We need a little more time for more money to flow into the market.”

Many original series post on sites like Kaplan’s blip.tv, which acts much like a television network and shares revenue made from online ads with producers. But there’s also the rare show that takes its content straight to the big boys for a deal. Take the creators of the hit Crackle.com action-packed crime drama The Bannen Way. They produced a high-quality pilot to shop around before landing a deal with Sony, which eventually led to 13 million streams of the show on Sony's Crackle site.While it’s unclear whether or not there will be a second season, the first season is available on DVD and there are murmurs of developing it into a television series.

Brendan Bradley pairs with Youtube’s “Mystery Guitar Man” for new original series

Critic's Notebook: Web TV is just waiting to click

Online television has yet to catch on like the traditional format, but it's just barely getting started and hubs like Hulu, Crackle and Koldcast point to a wide-open future.

By Robert Lloyd, Los Angeles Times Television Critic
June 26, 2011

Kiefer Sutherland, the star of "24," and John Hurt, the eminent British thespian, recently joined forces, playing opposite each other in "The Confession," a sort of short feature about a hit man and a priest. I say "sort of" because "The Confession" was created specifically to go online, in installments — there are 10 of them, averaging about seven minutes each; they ran from the end of March to the beginning of May on the video-streaming website Hulu. So it is a sort of television series as well, though one whose entire season lasts in the aggregate not much more than an hour...

Nevertheless, as improving varieties of streaming media become an increasingly popular way to watch what once could be seen only on an actual television set or in a theater, distribution points such as Hulu have begun to act as networks or studios. (Hulu, which has just been up for sale, is actually owned in common by several of them.) Sony Pictures' Crackle has some of the Web's flashier offerings, including "The Bannen Way," with its wiseguy con-man hero, stylish split screens and hot-girl assassins; "Angel of Death," penned by comic-book writer Ed Brubaker, with Zoe Bell ("Tarantino's #1 stunt woman") as a hired killer who acquires the compulsion to kill her old masters; and the sci-fi "Trenches," picked up from Disney's now-defunct Stage 9 Digital, which sports impressive "Battlestar Galactica" special effects. All have completed their single seasons but remain available for download in the timelessness of the Web.

 NOMINATED FOR TWO BEST ONLINE PROGRAM – DRAMA

The Bannen Way - Episode "The Prep Day"

Created & Written by
Jesse Warren & Mark Gantt
Executive Produced by
Mark Gantt & Jesse Warren
Directed by Jesse Warren

 Suite 7 - Episode "Company"

Written by Yuri Baranovsky
Executive Produced by Wilson Cleveland
Directed by Mark Gantt

Nominees of the 2011 Rockies Program Competition announced!

After reviewing over nine-hundred entries from around the world, our international juries have singled out the best programs and projects from the past year. Winners will be announced at one of three special Rockies awards ceremonies taking place during the Festival.

MY NAME'S MARK AND I'M AN... ACTOR

When I first started acting, I felt like I did when I first got sober, I was ashamed and embarrassed to say that I was an ac... act... actor. Like the Fonz in Happy Days trying to say he was wr... wr... WRONG. God forbid someone would ask me what I'd been in or why I wasn't on TV like the other guy that looks just like me. Several years in acting class did not fix it. Doing plays, short films, even a scene in Ocean's 11 opposite Brad Pitt didn't fix it either. I still could not help but feel uncomfortable about saying I was an actor. What I've come to see now is, I'd been focusing on what I thought it meant to be an actor. I thought, to be able to say you're an actor, you had to be a "Successful Actor" -- meaning someone who made a living from their acting. My mentor, Milton Katselas, didn't bother with the psychology of the whole  thing when I wanted to quit acting and just direct. He said to me, "You haven't given the acting thing a hundred percent. What you're not confronting in your acting will block you as a director. Do twenty scenes for me, I'll pick them out, and then you decide if you're done with acting." (You can read more on this in a previous blog, TO ACT... OR TO DIRECT... THAT WAS THE QUESTION)   He knew that I couldn't think my way into confidence as an actor, I had to actually push past my shit and build the confidence.