THE BANNEN WAY

THE BANNEN WAY is a sexy crime series with elements of action, comedy and a bit of thriller thrown in for good measure. Most importantly the series has fun with itself, as it chronicles Neal Bannen (Mark Gantt), a con man attempting reform. He guides himself with a series of rules--“The Bannen Way”--which are weaved throughout the story when they apply to the often tumultuous situations he finds himself in. Neal is caught in a bit of a conundrum with a father who is a cop and an uncle who holds onto his grandfather’s mob legacy both pulling him in different paths. Neal is confident and always looks for the angle; the trick is to see him navigate an ever-increasingly complicated landscape where options disappear as quickly as they appear. The cast is amazing with Michael Ironside as the father and Robert Forrester as the uncle, and let’s not forget Vanessa Marcil as the sexy pickpocket with suspect motivations. Neal is set on a mission to procure an object that will clear his debts and allow him a way out of the life he leads.

My hat is off to Mark Gantt and Jesse Warren for creating something interesting and fun to watch. Like most people, I like to be surprised and I found this be well-written without the obvious “I saw that coming a mile away” moments that hamper so may stories today. Not surprisingly with something based on a con man seeking reform or more importantly a way out of the life, this series was full of twists and turns. I got a bit of a Guy Richie vibe with the rules he lives by and the way the story unfolds without all of the spastic editing that sends parts of the population into epileptic fits. The series was smart and very sexy, as Neal Bannen is a bit of a ladies’ man. Seeing what content creators can do with a bit of money always makes me wonder how Hollywood produces so much crap when this kind of talent is available.

The writing in the series was tight, as any good web content has to have; otherwise we’re bound to click on onto the next thing. The plot entwines the different pieces of Neal’s life nicely as the pressure is amplified episode to episode, making it ideal for the web. The cast ismarvelous and I found it a real treat to see actors I liked so much turn up in such good roles. The whole series is a real gem and I encourage anyone who likes this genre to tune in.

On The Comedy Rich Web, An Elite Group Of Dramas Break Through, These Are Their Stories

The creators of web series "Anyone But Me," "The Bannen Way," and "Robert Townsend's Diary of a Single Mom"--and the web sites that host them--talk about the challenges facing online shows that aren't all about laughs LOLCats.

Dina Kaplan, a co-founder of blip.tv, says she thinks it may take one to two years for drama to really make a splash online. She offered her perspective on four keys to making online drama click.

1. Economics

Unlike television, it’s hard to promise or predict the amount of eyeballs necessary to recoup production costs from shooting a drama. “It's been harder for scripted dramas to succeed because their costs are higher making the margins for profit slimmer,” Kaplan says. “The successful series are riding the margins. We need a little more time for more money to flow into the market.”

Many original series post on sites like Kaplan’s blip.tv, which acts much like a television network and shares revenue made from online ads with producers. But there’s also the rare show that takes its content straight to the big boys for a deal. Take the creators of the hit Crackle.com action-packed crime drama The Bannen Way. They produced a high-quality pilot to shop around before landing a deal with Sony, which eventually led to 13 million streams of the show on Sony's Crackle site.While it’s unclear whether or not there will be a second season, the first season is available on DVD and there are murmurs of developing it into a television series.

Leap Year (episodes airing now)
Have you been laid off? Do you want to watch a web series about layoffs happening to other people? Of course you do!
In Leap Year, the five main characters don't sit around and moan while collecting unemployment like normal, sane laid-off people. Nope, they start businesses and then enter a contest for $500,000. The money is promised to them by "a mysterious stranger with an exorbitant amount of money" who somehow has access to their office.
OK, so it's not the most realistic depictions of unemployment. Still, the series, written by Yuri and Vlad Baranovsky and sponsored by Hiscox Insurance, is kind of entertaining. Also, I'm jealous about the money. If nothing else, Craig Bierko is in it!

LoveMakers (episodes maybe coming soon)
Check out the trailer for this potential web series: http://lovemakers.tv

Look familiar at all? It's the same creators as Leap Year. Only this one's about a dating service that provides way more assistance to clients than most.
Unfortunately, as far as I can tell, the preview trailer is all that exists. There hasn't been any recent mention of the series happening. And the main people involved are off doing Leap Year.
Too bad. The trailer is cool, and this is supposed to be a web series with 30-minute episodes, a much-needed variety.
Maybe it will turn up someday!

Do any of these new web series look interesting to you? What do you think could make the series a success? Leave a comment below with your opinions!

Critic's Notebook: Web TV is just waiting to click

Online television has yet to catch on like the traditional format, but it's just barely getting started and hubs like Hulu, Crackle and Koldcast point to a wide-open future.

By Robert Lloyd, Los Angeles Times Television Critic
June 26, 2011

Kiefer Sutherland, the star of "24," and John Hurt, the eminent British thespian, recently joined forces, playing opposite each other in "The Confession," a sort of short feature about a hit man and a priest. I say "sort of" because "The Confession" was created specifically to go online, in installments — there are 10 of them, averaging about seven minutes each; they ran from the end of March to the beginning of May on the video-streaming website Hulu. So it is a sort of television series as well, though one whose entire season lasts in the aggregate not much more than an hour...

Nevertheless, as improving varieties of streaming media become an increasingly popular way to watch what once could be seen only on an actual television set or in a theater, distribution points such as Hulu have begun to act as networks or studios. (Hulu, which has just been up for sale, is actually owned in common by several of them.) Sony Pictures' Crackle has some of the Web's flashier offerings, including "The Bannen Way," with its wiseguy con-man hero, stylish split screens and hot-girl assassins; "Angel of Death," penned by comic-book writer Ed Brubaker, with Zoe Bell ("Tarantino's #1 stunt woman") as a hired killer who acquires the compulsion to kill her old masters; and the sci-fi "Trenches," picked up from Disney's now-defunct Stage 9 Digital, which sports impressive "Battlestar Galactica" special effects. All have completed their single seasons but remain available for download in the timelessness of the Web.

 NOMINATED FOR TWO BEST ONLINE PROGRAM – DRAMA

The Bannen Way - Episode "The Prep Day"

Created & Written by
Jesse Warren & Mark Gantt
Executive Produced by
Mark Gantt & Jesse Warren
Directed by Jesse Warren

 Suite 7 - Episode "Company"

Written by Yuri Baranovsky
Executive Produced by Wilson Cleveland
Directed by Mark Gantt

Nominees of the 2011 Rockies Program Competition announced!

After reviewing over nine-hundred entries from around the world, our international juries have singled out the best programs and projects from the past year. Winners will be announced at one of three special Rockies awards ceremonies taking place during the Festival.

Suite 7 - Review

Good in Bed - directed by MARK GANTT written by SUSAN MILLER starring EDDIE MCCLINTOCK & JAIME MURRAY

You might not expect a Web series produced as a promotional tool for the Better Sleep Council to be very interesting, but “Suite 7” at MyLifetime.com is worth checking out. The free-standing episodes — the sixth of seven goes up on Friday — all revolve around the same bed, situated in the hotel suite of the title.

What the council’s money has bought is the participation of recognizable performers like Milo Ventimiglia (“Heroes”) as a skeptical best man and Illeana Douglas as an actress on location debating whether to have sex with her co-star. (Mr. Ventimiglia also directed his episode, while Ms. Douglas wrote hers.) Best, so far, is the more sober, 11-minute “Good in Bed,” starring Jaime Murray (“Dexter”) and Eddie McClintock (“Warehouse 13”) as a divorcing couple brought together, for a moment at least, by that magical bed. (YES... THIS IS ONE OF THE EPISODES I DIRECTED!)